Self-Portrait, Warning - George Grosz
New Objectivity (Neue Sachlichkeit)
Degenerate art (exhibition, held by the Nazis in Munich in 1937, named to inflame public opinion against modernism)
Acadmie Colarossi, Paris, France
Art Students League of New York, New York City, NY, US
George Grosz (July 26, 1893 July 6, 1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the BerlinDadaand New Objectivity group during the Weimar Republic. He immigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at theArt Students League of New York. In 1956 he returned to Berlin where he died.
George Grosz was born Georg Ehrenfried Gross (German spelling Gro; German pronunciation: [ʀoːs]) in Berlin, Germany, the son of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town of Stolp (now Słupsk, Poland), where his mother became the keeper of the local Hussars Officers mess after his father died in 1901. At the urging of his cousin, the young Grosz began attending a weekly drawing class taught by a local painter named Grot. Grosz developed his skills further by drawing meticulous copies of the drinking scenes ofEduard von Grtzner, and by drawing imaginary battle scenes. From 1909 to 1911, he studied at theDresden Academy of Fine Arts, where his teachers were Richard Mller, Robert Sterl, Raphael Wehle, and Osmar Schindler. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orlik.
In November 1914 Grosz volunteered for military service, in the hope that by thus preempting conscription he would avoid being sent to the front. He was given a discharge after hospitalization for sinusitis in 1915. In 1916 he changed the spelling of his name to de-Germanise and internationalise his name thus Georg became George (an English spelling), while in his surname he replaced the German with its phonetic equivalent sz. He did this as a protest against German nationalism and out of a romantic enthusiasm for America a legacy of his early reading of the books of James Fenimore Cooper, Bret Harte and Karl May that he retained for the rest of his life. His artist friend and collaborator Helmut Herzfeld likewise changed his name to John Heartfield at the same time.
In January 1917 Grosz was drafted for service, but in May he was discharged as permanently unfit.
In the last months of 1918, Grosz joined the Spartacist League, which was renamed the Communist Party of Germany (KPD) in December 1918. He was arrested during the Spartakus uprising in January 1919, but escaped using fake identification documents. In 1921 Grosz was accused of insulting the army, which resulted in a 300 German Mark fine and the destruction of the collection Gott mit uns (God with us), a satire on German society. In 1928 he was prosecuted for blasphemy after publishing anticlerical drawings, such as one depicting prisoners under assault from a minister who vomits grenades and weapons onto them, and another showing Christ coerced into military service. According to historian David Nash, Grosz publicly stated that he was neither Christian nor pacifist, but was actively motivated by an inner need to create these pictures, and was finally acquitted after two appeals. By contrast, in 1942 Time magazine identified Grosz as a pacifist.
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